Shimmery fabrics fly freely and continuously above a disc-shaped base with a black mirror top. With no visible means of propulsion, the magic is complete. Viewers are left to focus on the dance of the fabrics, their inky, distilled reflections in the black mirror top, and perhaps to speculate about the source and patterns of their movements. The Air Fountain may be made at virtually any scale as a sculpture, an architectural installation, as a round, movable stage unto itself, or incorporated into a larger flat surface.
This Air Fountain is on permanent display at Coperncus Science Center in Warsaw, where the public is invited to stand on the base and dance with fabrics as they fly. In addition to fabrics, there are numerous materials that can fly in the air within this set up, including mylar confetti, paper,balloons, flower petals, bird feathers or styrofoam peanuts.
This five meter diameter Air Fountain in performance at the Bordeaux Opera House with the dancer Ozgecan Tapa.
This three and half meter diameter Air Fountain prototype was shot in the studio. The finished version with a black mirror top is on permanent display at the Museu do Amanhã, Rio de Janeiro.
Two sheets of fabric fly freely and continuously in and out of a vortex of air created in the center of a room.
Pas de Deux plays at the Tate Modern Turbine Hall for a special event.
The dancer Ozgecan Tapa performs with Pas de Deux at an event for Mercedes Benz in Istanbul. Under difficult outdoor conditions (windy and damp), she gives an inspired improvisational performance with an extraordinary, poetic ending.
Magic Carpet appears in Amaluna, the Cirque du Soleil big-top touring show as the first image of the opening scene, and again in a different incarnation, as the final, closing image of the show.
In Magic Carpet, a large sheet of shimmery red fabric flies un-tethered in the center of a room, twisting and turning, rising and falling, coiling and unfurling, as it gracefully moves in and out of the vortex at the center of the air system.
Magic Carpet plays with the Russian National Rythmic Gymnastics Team at the Mariinski Theater.
Work from the Air series in the form of a paper tornado takes center stage at the 2014 Sochi Winter Olympics Closing Ceremony.
Glitter fills the air, creating an atmospheric, optical bedazzlement at the moment of Sylvia's death, and her transition into Neverland, in the Broadway musical Finding Neverland, at the Lunt Fontanne Theater. This piece was named one of The Stage's Best Moments of 2015 by the New York Times Theater Section. (link)
Air Play Show is a collaboration between Daniel Wurtzel and performers Seth Bloom and Christina Gelsone. It is a wordless wonder and is now touring the world to sold out audiences and rave reviews. With visual images seemingly sewn from the sky, this poetic ode to childhood will enchant and electrify both the young and young at heart.
A graceful sine wave of fabric is created above a parallel series of fans.
Three Air Wave sculptures were created for Airbus in the garden of the Musée Rodin for the event "At the Sky's Edge," welcoming their guests to the Paris Air Show 2015.
This video shows the creation of enormous waves of fabric and air that could be scaled up to fill an entire stadium floor and the air space above it. Variations on this concept can produce crashing tidal waves of fabric, tubes, giant moving bubbles, domes and what looks like constantly rising and falling mountain ranges, or sliding sand dunes in a fast forward version of geologic time. Used in a theatrical context, the fabric can be blown off stage over the audience's heads, left to float there, and then snapped, or very gracefully floated back onto the stage. The concepts described here are highly adaptable to different scales and spatial parameters.
A television commercial for LG using their LG Puricare air purifier to produce many different artworks.
A large sheet of fabric undulates above an array of fans which may also be concealed in a platform below. May use different types of fabrics and accepts light projection
In a new and re-imagined reveal technique, a car is revealed to be under a large fabric that is made to form waves and pop up into a clam shell backdrop behind the vehicle, before disappearing in what looks similar to a kabuki drop. The work is highly scalable for unveiling almost anything large or small, and is compatible with light projection.
Feather Fountain involves bird’s feathers that rise up off of the mirror base and fly in a central column of air. The feathers spin vertically around their quills, before falling back onto the base, where they are swept towards the center and up again by a sheet of air emanating from all points around the base perimeter. The piece is lit by a single source of light, recessed in the ceiling directly overhead. The feathers create dark, dancing shadows in the bright circle on the ceiling, which is a reflection of that light off of the flat mirror of the base. The convex mirror at the center of the base, and the feathers on it, cast the less bright reflection and shadows across the ceiling and walls, encompassing the entire room. The soft patter that the quills make as they hit the glass is similar to the sound of rain on a roof, adding another dimension to the overall experience.
Inspired by the ribbon dancers of rhythmic gymnastics, Flag Waver machines may be installed singly or in multiples, with syncopated choreography, moving in the same or opposite directions. May be installed in multiple ways, having up to a 360 degree, fully shperical range of motion.
In this beautiful video, an indoor tornado is created as an architectural element for Moooi BV, the Dutch design company, using their lamp/ventilator, the Mistral. The installation is highly adaptable to being incorporated into different architectural spaces.
Fog and fire are used to create tornadoes in the center of a room. The image to left is a fog tornado as it appears on stage in Robert Lepage's new play, Playing Cards 1: Spades.
Ladies and gentlemen, the captain has illuminated the fasten seat belt sign. Expect some turbulence ahead...
Shitstorm consists of newspapers, plastic shopping bags, bubble wrap, candy wrappers, balloons and ordinary litter from the street that circle endlessly in a vortex of air. A direct commentary on the degraded state of the environment, Shitstorm was specifically inspired by my concern about the Garbage Patch in the North Pacific Gyre, a huge area in the North Pacific Ocean with exceptionally high concentrations of suspended plastics and other debris that have been trapped in this giant vortex of ocean currents.
In Snow, tens of thousands of Styrofoam peanuts are swept by fans into a great pile at the center of the room, and chaotically into the air above it- like a giant, room-sized snow-dome that one may enter. There is a strong interactive pull from this work, and people are naturally inclined to linger with it, to play, to walk through, to be buried, to tunnel through, or to just lay back, look up, and be snowed upon. Designed for the sole purpose of taking up space, used only once and discarded, styrofoam peanuts are non-biodgradeable. As light as a breeze, they are hard to contain, and as such, are ubiquitous in the environment. For me, the styrofoam peanut is the ironic symbol of our mindlessly wasteful culture, manifest in a material of the least integrity.
In this piece, rose petals, tulip petals, maple seedpods, various other types of leaves, feathers, and a few colored Styrofoam peanuts are suspended in a vertical column of air. Eventually they fall into either the large polished, stainless steel funnel at the center, or onto the black Plexiglass top, where a viewer may easily push them back in to take flight again. The sound that these lightweight materials make, clinking against the funnel, is akin to rain falling on a tin roof. This piece exposes the aerodynamic properties of this natural detritus, and suspends it in a way that can be continuously observed.
In Ballet de Plastique,a plastic sheet flies in a vortex of air at the center of a large room.
In Two Balloons One Fan, two balloons are suspended and trapped in a vortex of air generated by a single fan pointed straight upward. A dance of sorts, or contest between them is created as they continually vie for the most stable position in this vertical air column. As an example of Bernoulli's Principle of fluid dynamics in action, because the air in the center of the column is moving faster than the air toward the outside, it has lower pressure. Just as an airplane wing is sucked up into the sky because the air moves faster over the top surface, the balloons are perpetually sucked back into the middle of the air stream as they simultaneously try to escape.